Knoll Bertoia Bar/ Counter Stool
Designed by Harry Bertoia, the Knoll Bertoia Bar Stool was designed by Harry Bertoia in 1952. This version is unupholstered, showing the skeleton of the chair beneath. Use it at a bar, or at your kitchen counter top.
- Designer : Harry Bertoia
- Year of Design : 1955
- Material : Polished Chrome Frame
- Dimensions: Seat Height 69cm: H; 100cm; W: 54cm; D: 58cm
- Made in Italy
The lead time displayed above is for guidance based on our usual experience but can be subject to change Once your order has been shipped from the supplier, we will be in touch to provide an ETA. We aim to check, pack and dispatch all orders as soon as they arrive into our Liverpool warehouse.
If you’d like any further information on the lead-time of a specific product, please feel free to contact us via live chat, give us a call on 0151 494 9412 or email sales@utilitydesign.co.uk - please note that our office working hours are 9 am - 5.30 pm Mon-Fri.
Your order will be shipped via our courier partner FedEx or a dedicated third-party delivery team depending on the size, weight and/or fragility of your order. If your order exceeds the dimensions/weight restrictions of our courier service, our delivery team will be in touch to arrange delivery with you.
We aim to dispatch all in-stock orders placed before 1pm the same day, on a next working day delivery service.
You can find out more about our delivery terms here, or feel free to get in touch via our live chat function (bottom right of your screen during office hours).
Description
Designed by Harry Bertoia for Knoll in 1952 this version of his counter height stool comes unupholstered. Made from polished chrome welded steel rods it is scratch, chip and chemical resistant and is finished with a foot rest and plastic glides to protect the floor.
See other Harry Bertoia designs.
See more Kitchen Counter and High Stools
See the Knoll collection.
| Brand | Knoll Studio |
|---|---|
| Designer | Harry Bertoia |
Harry Bertoia
Italian born, Harry Bertoia started his career as a teacher. It was not until he left this post to join the war effort in the Eames office in Venice, that he realised his passion for sculpture after attending welding classes. Bertoia primarily used hand coated metal rods in his work as they allowed him to build up large nets that formed a multi-layered effect signifying space and time. The first examples of this new style of seating were seen when he accepted the invitation to work for Knoll Associates, where he produced the Bertoia Diamond Chair in the 1950s.
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