Vitra Eames Wool Blanket
The Eames Wool Blanket features a dot pattern in 1947 in conjunction with an exhibition at the Museum of Modern Art in New York. Made from a jacquard weave of Merino lamb’s wool, the result is a blanket that is extremely lightweight, fine and soft.
- Designer : Charles & Ray Eames
- Dimensions : W: 135cm; H: 200cm
- Material : 100% Merino lambswool, produced in a jacquard weave.
The lead time displayed above is for guidance based on our usual experience but can be subject to change Once your order has been shipped from the supplier, we will be in touch to provide an ETA. We aim to check, pack and dispatch all orders as soon as they arrive into our Liverpool warehouse.
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Description
Like many other prominent architects and designers of the twentieth century, Charles and Ray Eames were driven to incorporate their concepts of colours, forms, and materials into textile design.
In 1947, they introduced the "Dot Pattern" in tandem with an exhibition at the Museum of Modern Art in New York. This design features a substantial graphic arrangement composed of crosses and dots, drawing inspiration from Ray Eames' abstract paintings of the 1930s.
Available today in several hues, the wool blankets are made of 100% high-quality Merino lambswool. They are particularly light, fine and soft to the touch while also providing optimal warmth and thermal balance.
See more Charles & Ray Eames designs.
See more from the Vitra collection.
Brand | Vitra |
---|---|
Designer | Charles & Ray Eames |
Year of Design | 1947 |
Dimensions | W: 135cm; H: 200cm |
Warranty | I year Warranty |
Charles & Ray Eames
American husband and wife design duo Charles and Ray Eames have had a profound influence on the visual character of American life, producing original work within the fields of architecture, furniture design, industrial design, manufacturing and the photographic arts.
The Eames’ first partnered with Vitra in 1957 to produce some of the most iconic pieces of furniture in the history of interior design. Today Vitra continues to reflect their philosophy on design and functionality, best understood through Charles’ own words: “Recognising the need is the primary condition for the design”.
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